Skip to main content

Richie

Cast: Nivin Pauly, Shraddha Srinath, Natty, Prakash Raj, Lakshmi Priyaa
Director: Gautham Ramachandran

Neo-noir films are rarely welcomed by the audience in Tamil cinema and even when it happens, it’s after the film’s run in the theatres. Richie is the latest film to join that rare club. The remake of Ulidavaru Kandanthe, Richie also marks the straight debut of Nivin Pauly to Tamil cinema.

Richie sees the journey of a journalist (Shraddha Srinath), finding the man behind the myth in the name of working on a story. She meets a lot of people who give their varied opinions they have on this man and what they are and how those opinions were formed in the first place makes up the story of Richie.

What works for Richie, right from the word go is the sub-plots. While there are one too many, the way they converge together to form the bigger picture is fascinating and one cannot help but wonder how the same can look different to each person. Not just beauty looks like everything is in the eye of the beholder! The characters are one too many and while they all serve their purpose neatly, the long cast list results in many performers getting very little screentime. Nivin looks suave and carries the swag despite being portrayed as a local rowdy who studied in a jail. No wonder the scenes where he speaks flawless English look out of place, but considering the Malayalam accent in his Tamil, you would forgive him for the English! His shades are a plenty and that makes his character interesting on its own. So are the rest of the characters who’ve done a splendid job as far as performance is concerned. Shraddha has once again proven that she’s an actor and not a heroine with this film. Natty pulls off his natural best too.

The strength of Richie also lies in its technical aspects. Be it the camera shots, the lighting used or the background score, they set a unique tone for the film making it one of a kind. Not to mention the umpteen biblical references that are the icing on top of this film. In a particular scene, Richie (Nivin) stands behind a cross, making it look like he’s nailed to it. And just like Jesus, there are a bunch of people who’d do anything for Richie, there is a set of those who don’t like him and then there are those who betray. One of the lines I liked – Dhrogathoda vali ennanu theriyuma? Athu eppovume ethiri kittenthu varadhu – sums up the film.

On the downside, the pace of the film is slow at certain points and the lengthy dialogues don’t help exactly either. Thanks to the ensemble cast, there are just many things happening. The emotions take time to seep in and they rarely make an impression on us when something big happens. Hence, it’s hard to be hooked to the film. Only if the runtime was longer and the film crisper, Richie would’ve definitely a worthy dream debut for Nivin. Richie is definitely not a film that a regular movie-goer might enjoy and even if you aren’t one, the film will only amuse you and not excite you.

My rating: 2.5/5

 

Comments

Popular posts from this blog

Vijay and Vijay Sethupathi shoulder a mediocre film: Master Review

A flawed protagonist and a powerful antagonist have always proven to be successful tropes in the world of cinema. The hero, when being anything but perfect, makes way for a beautiful story arc as he convalesces and a strong villain makes the hero’s triumph at the end larger. Despite having both of these, Vijay’s Master feels far from a perfect flick thanks to succumbing to irregular pacing and a middling screenplay. Master follows the trials and tribulations of JD (Vijay), an alcoholic college professor whose valiant effort towards the student community plants a belief in his colleague Charu (Malavika Mohanan) that he would be able to do the same to the kids in a juvenile correction centre that needs… correction. Armed with a just kada, a classic four-wheeler, a Persian cat and a cool pair of sunglasses, JD embarks on a journey that will collide with that of Bhavani’s (Vijay Sethupathi). On paper, Master looks like a failproof star vehicle – the story of a man out there to teach lesson

Munna Bhai Dhaba, Sullurpet, Andhra Pradesh

  This time, we rode almost 100 kms to discover this hidden gem. Located at the ever busy NH16, Munna Bhai Dhaba is one of those places that dishes out some delicious food for you to cherish en route to your destination. Just that, this time it was our destination. After starting at 8:30PM from Chennai, we reached here around 10ish and by that time some items were unfortunately sold out. Out of 10, 6 of us were hardcore carnivores while the rest of them were Eggetarians. We opted for a couple of Chicken dishes which included Munna Bhai special chicken (a yummy starter with sauteed chicken and cashews) and a couple more Chicken dishes which are named after the states of our country. One such dish was the which had an egg base with piping hot Chicken curry on top which was the star of our dinner. A surprise show-stealer was the Onion Pakoda which looked bleh but tasted great. Rotis were so warm and fluffy that we finished 40 of them in no time. Egg Bhurji was apparently good too. Obvious

InterContinental Mahabalipuram

After visiting InterContinental many times to meet people who were staying there, for events & functions and for, of course, dining in, I decided it was high time I experienced a stay at this property. A while back, it happened and here I’m chronicling that experience.  Location, Reception and First Impressions InterContinental Mahabalipuram stands among a handful of star properties that are located close to Mamallapuram but not exactly inside the bustling town. It’s situated on the ever-busy East Coast Road and is a cool 42kms away from Central Chennai and almost the same distance from the Chennai International Airport as well (yes, I checked). Post the ‘vanakkam’ by the security personnel who greets you right at the gate, the first thing one would notice about ICC is how simple and elegant it is. Once you get past the security checks, you’re welcomed by the sky and a long pathway and standing on the edge of it gives us a bird’s-eye view of the property. The reception is a high ro